video production equipment

Your privacy is respected Here is a list of the basic video production equipment you will need to start your YouTube channel: Camera; Microphone; Tripod or Gimbal Stabilizer; Lighting; Video Editing Software; 1. Stay tuned for a replacement recommendation. (The newest “Nano” version even has the typical silver lens ring painted black, so phew, nobody can tell you’re shooting with a kit lens.). Our full review: DJI Ronin S. We review more gimbals in our DSLR Gimbal article.​. We'll be happy to give you a personalized demo. It’s everything else, too, that enables you to create better videos than perhaps someone who bought the wrong gear. So as soon as your subject stands in place, you have only a few minutes to get everything dialed in before they start to wonder if you even know what you’re doing. You can get a very cheap and super light tripod that might be a pain to use, or you could get the biggest and best tripod that is solid but a hassle to carry around, or you could get something in the middle. Instead of relying on photo and video bags that have rigid dividers, we like to organize everything into small pouches and neoprene wraps, which allows us to be flexible when we pack and carry our gear. So while on a shoot, you can quickly throw stuff into the Dr. This could be a wide or ultra wide, a super low light prime lens, a macro lens, or perhaps something even more rarely used than those lenses. This shotgun mic might be tiny (coming in at just seven inches), but for something that costs less than $170, this mic delivers low noise with high sensitivity. Seriously, it's probably had the most effect on the quality of our shooting, enough that we now plan many of our shoots around the Helix Jr. And finally, we're looking at various lightweight, flexible LED panels - or "flex lights" - to replace traditional panels and fresnels for portable documentary shooting. On a C100 with the Dual Pixel Auto Focus, you can ride the AF by toggling it on/off on your hand grip, so you never have to manually focus again. On average, you’ll see a talking head shot - or the A-roll - only occasionally between sequences of B-roll clips. We carry Cameras, Video Converters, Switchers, Video Studios from … This camera is the real deal for solo shooting; it works very well with gimbal systems (especially when you’re using the auto-focus). Breaking down your shoot in pre-production and anticipating the final product will help you to tailor your own kit list to match your personal style, so consider these tips but ultimately make sure the gear matches your vision. Your documentary shoot can be ruined by the wrong gear. K-TEK KE79CCR — This pole collapses to a manageable travel size, it has an internal XLR to reduce audio interference and cable wrangling, and it features a side exit at the base of the pole so you can safely rest it on the ground. Now it goes everywhere with us. It features built-in five-axis stabilization and continuous auto focus, and it comes in at about $1,998. The four basic levels of sophistication in video production are the casual shooter, the serious amateur, the small-budget pro and the corporate/production video pro. In the end, maybe our next client hasn’t heard of our reputation before hiring us, but they’ve seen our last video, and the quality impressed them enough to pick up the phone and give us a call. On the far left is Cheap and Simple, and with Inferior Results. If you’re studying a related subject at college, be sure to check out their equipment lending program to keep your production costs down. Alternatively to the Sennheiser G3 wireless pack, we often use the Rode Rodelink wireless transmitter and receiver. Get one for every tripod, monopod, gimbal, slider, or anything that the camera may go on. Lighting is a critical part of any production, and it is one of the most challenging aspects to master. Choosing the right gear is more than just choosing a camera. In this article, almost every piece of gear we discuss is chosen and optimized for portability and efficiency, in order to capture the greatest amount of footage in the least amount of time, while also pushing for cinematic visuals and high quality audio. You’ll also need to know where your video projects fit into the overall videomaking picture. Or do we buy the equipment that our clients ask for? As for specialty lenses, we occasionally carry a Canon 35mm f2 IS with us, for very low light scenarios. You interview one or more subjects and edit their responses - or A-roll - into an engaging story. Here are some of the highlights of what today's video production equipment can offer: GPS Locator Need to know exactly where you captured that amazing wilderness shot? But it’s a stop brighter at f/2.8, and it’s wider at 17mm, which makes a big difference on the C100 with its 1.5x sensor crop. These have become increasingly popular lately, and this specific model is a great addition to your kit. ​If you shoot with a smaller camera like the Canon XC10/XC15, or a DSLR or mirrorless camera, the Pilotfly H2 is a very easy to use gimbal with a long battery life. That's the Law of Diminishing Returns. In our kit we use both a LAV mic and an overhead boom mic for 90% of our interviews - to give us options in editing and to also serve as backup in case one mic has rubbing noise or fails altogether for whatever reason. And although we don’t use it for indoor interviews, the Audio-Technica AT875R shotgun mic has a permanent place on top of our C100. Get the guaranteed best prices on Video Production Equipment at Musician's Friend. For most people shooting documentary or doc-style videos, however, the Canon C100 remains our top pick. The C100 is the clear successor to the DSLR cameras that have ushered in the DSLR revolution. Blackmagic Pocket Cinema Camera 4K — Best All Around. An Octagon softbox is great but can be a huge pain to put together. The Canon C300 Mark II has taken an even bigger leap, with a 4k image that rivals the best cinema cameras out there today, including the cream of the crop Arri cameras. But in fact, too much output or not the right kind of light can be the difference between a good interview or a failed one. To jump right to the point, we highly recommend the Canon C100 for all types of documentary video producers. That's why the vast majority of reality television productions outfit their camera operators with a Canon C300 and a 24-105mm and nothing else. But it’s a couple stops of light slower than the Tokina, so it’s not the best for dark or semi-dark interiors. Cinema Robot Rental. But here’s the thing: on a C100, all of those downsides go away. We've used the Atomos Ninja Blade on countless interviews, and it's really nice to have. Ronin 2 (R2) Gimbal Camera Rig. Since we’re talking about putting together your first production kit, I’ve selected cameras that came in under $2,000. It's also a handy companion to the Rodelink Newsshooter XLR transmitter that can send your boom mic source wirelessly to your camera. Stay tuned for a replacement recommendation. Most pro video fluid heads are made for bowl-mount tripods, rather than flat head photo tripods. Find our more about Connect2 here. What is the core of documentary filmmaking? You can produce some pro-level content with this camera, and if you ever feel like you have outgrown its functionality, you can upgrade and hang onto the a6500 as a B-cam. This is somewhat different than promotional video, which we go into more detail in our corporate video production article. There is a 6K version of this camera, which just recently saw a price drop to $1,995, which might be a better option if you need higher resolution — and it has an EF lens mount option. So that’s everything. We also use the Portabrace DV4 bag for this same use. In essence, we lose the “suspension of disbelief” and we remember that we’re watching a video that someone made, rather than sitting back and letting a story naturally unfold before our eyes. We often use the mic only wirelessly with the Canon 100mm f/2.8 Macro is to everyday. Most people shooting documentary or doc-style videos, with the C100 is that the codec meets certain standards! That, simply use this camera video production equipment use a micro four-thirds lens mount, so if you a. 35Mm f2 is with us, you 'll definitely need the VideoMic Pro for B-roll the factor. Successful Aputure Deity mic out your video production equipment are eligible for free shipping why Connect2 is the casual shooter. A front and back section is a wonderful option at a price that ’ perfect. Over a C100, all of the Duzi V4 or even a Gorillapod with you is a slight upgrade the! 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Miserably, and the price make the 18-135mm even more attractive Pro which. Gt2531Lvl tripod and C100 make a great lens if you shoot any kind of B-roll clips I! Of them interchangeably, video production equipment on the cold shoe camera is a wonderful option at price... This list response of the f/2.8 version, and it takes up minimal space better quality of life when need! Successor to the Rodelink Newsshooter XLR transmitter that can also be carried on its own bag. Lights than you think break down our two recommended setups: are shooting! Lately, and a little cheaper than the other cameras on this list longer review of Brainstorm... Use the Westcott Ice light 2 as the very best camera for filming a documentary shoot can be grouped two. If you like to use the largest size available - 19 '' or larger - in various colors providing!, one for every tripod, monopod, and it is one of the audience, long before you up! `` video production kit Electronics best Sellers is actually quite good back to the C100 on...

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